I’ve been swapping chapters and talking story with some of the other historical fiction writers from Pitch Wars. One of them, Gwen C. Katz, drew this to illustrate a scene in the first chapter of my Victorian ghost story, Within the Sickle’s Compass; or, The Haunting of Springett Hall:
Trust a historical fiction writer to catch the details, right down to the black-on-black embroidery on Sir Edmund’s waistcoat. 🙂
Of course, I’ve noticed that the artist-writers I know have a knack for detail and description. I have a theory that they’re so used to studying and capturing detail that they know just how to convey it to readers. Gwen’s writing was no exception–it provided me with very clear mental images. Since details are especially important to setting the scene in historical fiction, I spend a lot of time studying literature and artifacts from the time period I’m writing about, and I try to keep a strong mental picture of the setting my characters are moving through. I’ll admit to being jealous of my artist-writer friends for whom that process seems to be second nature.
You can see more of Gwen’s work, and a little about her historical fiction, Among the Red Stars (about the “Night Witches,” Russian women who flew biplanes against the Nazis in WWII), at her deviantART web page here.